{"id":6642,"date":"2024-09-09T17:40:24","date_gmt":"2024-09-09T15:40:24","guid":{"rendered":"https:\/\/www.kijno.fr\/index.php\/2024\/09\/09\/kijno-poetry\/"},"modified":"2025-06-04T13:47:08","modified_gmt":"2025-06-04T11:47:08","slug":"kijno-poetry","status":"publish","type":"post","link":"https:\/\/www.inventaire.kijno.fr\/index.php\/2024\/09\/09\/kijno-poetry\/?lang=en","title":{"rendered":"KIJNO POETRY"},"content":{"rendered":"
<\/a><\/div>\n[et_pb_section fb_built=”1″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”2_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.kijno.fr\/wp-content\/uploads\/2024\/09\/kijno-9e7a0b90c8baa10a65c39104b031c0c7d785c0ca-300×300.jpg” title_text=”Kijno-9e7a0b90c8baa10a65c39104b031c0c7d785c0ca” _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

In 1986, Kijno declared: “I spent my youth stealing light from the pockets of poets. It was perhaps for me, the son of an immigrant, the only way to survive in a world whose horror of violence I already felt in my deepest self. I was literally suffocating from this society of prohibition…”<\/em>1<\/sup>.<\/p>\n

From the 1950s, Kijno worked on major literary texts such as Homo hellenicus<\/em> by Nikos Kazantzakis or The Islands<\/em> by Jean Grenier, which gave birth to unique specimens of crumpled papers or paintings.<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”3_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

I. We will limit ourselves<\/strong> here in this brief presentation to poets in the strict sense, thus leaving aside writers in general. The forms are multiple: <\/p>\n

– painted manuscripts like Aragon’s Broc\u00e9liande<\/em>;<\/p>\n

– isolated works such as those dedicated to Juliette Darle;<\/p>\n

– a set of works devoted to a well-known poet like Neruda’s Theatre<\/em>;<\/p>\n

– isolated prints;<\/p>\n

– original artistic interventions in the limited edition of poetry collections;<\/p>\n

– Kijno’s works reproduced on the covers of poetry books, in regular editions of collections or in poetry magazines…<\/p>\n

<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/www.kijno.fr\/wp-content\/uploads\/2024\/09\/kijno-b01360517f36b52697f535e1322a5ed75863f700-300×198.jpg” title_text=”Kijno-B01360517f36b52697f535e1322a5ed75863f700″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_image][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

Ladislas KIJNO and Raoul-Jean MOULIN
Exhibition \u201cThe Painter and the Poet\u201d <\/span>June 6, 1995
Maison du livre, de l’image et du son – Villeurbanne<\/span>
Photos: Andr\u00e9 Rochedy<\/span><\/em><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

II. What are the characteristics <\/strong> of this companionship with poets?<\/p>\n

1. First of all, it should be noted that it is permanent. It begins in 1942 with the portrait of Paul Claudel 2<\/sup> and continues until the painter’s last breath. While the early years were marked by interruptions due to illness, from the early 1960s, the association with poets became uninterrupted. <\/p>\n

2. Kijno puts unknown poets (like Fran\u00e7oise Poiret) and famous poets (like Aragon or Neruda) on the same level. Only the means and the material importance of the painted work change. <\/p>\n

3. Kijno responds to requests from both recognized publishers (like Maeght<\/em>) and lesser-known publishers (like Au Fil de l’Encre<\/em>).<\/p>\n

4. Kijno can spend several years on a poet’s work. This is the case with Aragon (1944-1980) or Ponge (1943-1980). To name just these two poets. <\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”]

III. To continue… <\/strong><\/p>\n

Many poetry books enhanced by Kijno can be consulted upon request at the Artoiscomm branch in N\u0153ux-les-Mines, which houses the Kijno donation… 3<\/sup><\/p>\n

In the editorial of issue 1 of the magazine “Confluences po\u00e9tiques”<\/em> dated March 2006, directed by Luis Mizon, whom Kijno cites among the poets and writers he is in contact with (in Kijno the great works<\/em>, catalog of the Cannes \/ La Malmaison exhibition, 2011, p 95), Mizon notes: “The French language is the place of our convergence. Poetry is the place of our recognition”<\/em>. Convergence and recognition are words that Kijno, the light thief<\/em>, would not have rejected… <\/p>\n

Lucien WASSELIN.<\/strong><\/p>\n

Lucien Wasselin is a poet, essayist, and columnist. He has published about thirty works (including 9 as artist’s books) and several hundred reading notes or articles devoted to literature (especially poetry), new music or songs, and visual arts in various publications (print and electronic)… <\/p>\n

\n

Notes.<\/strong>
1. Ladislas Kijno’s words transcribed by Malou Kijno in Raoul-Jean Moulin, Kijno, Le Cercle d’Art publisher, Paris, 1994, p 225.
2. Raoul-Jean Moulin, op. cit., p 19.
3. address: 138 bis, rue L\u00e9on Blum. 62290 N\u0153ux-les-Mines. Tel: 03 21 54 78 23. <\/span><\/em><\/p>\n

Photography Laurence Sudre – Ren\u00e9 Veignant<\/span><\/em><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ theme_builder_area=”post_content” _builder_version=”4.26.1″ _module_preset=”default”][et_pb_row _builder_version=”4.26.1″ _module_preset=”default” theme_builder_area=”post_content”][et_pb_column _builder_version=”4.26.1″ _module_preset=”default” type=”4_4″ theme_builder_area=”post_content”][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

In 1986, Kijno declared: “I spent my youth stealing light from the pockets of poets. It was perhaps for me, the son of an immigrant, the only way to survive in a world whose horror of violence I already felt in my deepest self. I was literally suffocating from this society of prohibition…”1. From the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[24],"tags":[],"class_list":["post-6642","post","type-post","status-publish","format-standard","hentry","category-the-life-of-kijno"],"yoast_head":"\nKIJNO POETRY - Ladislas Kijno<\/title>\n<meta name=\"description\" content=\"I spent my youth stealing light from the pockets of poets. \u201cIt was perhaps for me, the son of an immigrant, the only way to survive in a world whose\u201d horror of violence I already felt in my deepest self.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.inventaire.kijno.fr\/index.php\/2024\/09\/09\/kijno-poetry\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KIJNO POETRY - 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