{"id":6602,"date":"2023-06-29T12:03:35","date_gmt":"2023-06-29T10:03:35","guid":{"rendered":"https:\/\/www.kijno.fr\/index.php\/ladislas-kijno\/"},"modified":"2025-06-04T12:27:27","modified_gmt":"2025-06-04T10:27:27","slug":"ladislas-kijno","status":"publish","type":"page","link":"https:\/\/www.inventaire.kijno.fr\/index.php\/ladislas-kijno\/?lang=en","title":{"rendered":"LADISLAS KIJNO"},"content":{"rendered":"
<\/a><\/div>

[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|desktop” admin_label=”About” _builder_version=”4.26.1″ _module_preset=”default” background_color=”#FFFFFF” background_enable_image=”off” background_position=”top_center” background_vertical_offset=”29%” overflow-x=”hidden” overflow-y=”hidden” custom_margin=”-31px||||false|false” custom_padding_tablet=”150px||150px||true|false” custom_padding_phone=”80px||80px||true|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.26.1″ _module_preset=”default” custom_margin=”-47px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”d72c0383-6487-4f2c-ac5c-7d48a6376757″ header_font=”Trirong||||||||” header_text_color=”#000000″ header_font_size=”41px” header_line_height=”1.1em” header_font_size_tablet=”60px” header_font_size_phone=”26px” header_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

LADISLAS KIJNO<\/strong><\/h1>\n

1921-2012<\/strong><\/h1>\n

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\u201cThe world is elastic, spheroidal and constantly expanding: there are several worlds, matter is multiple as if stratified. We start from a machine and arrive at the rhythms of a fig tree or the seabed; conversely, we start from the croup of a horse, the curve of a cello, a breast or a face and finally arrive at a gigantic mental mechanism. Things escape us, constantly slip through our fingers, imperceptibly, like sand; impossible to stay within the object: there are secret and contradictory transmissions, correlations, forms, primary forces, energy, upward currents, magnetic forces, motive tides, a constant back and forth; all of this moves, all of this cracks, all of this holds together and must be accounted for on this small two-dimensional surface that is the canvas.\u201d <\/span><\/em><\/span><\/p>\n

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His Work<\/p>\n

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News<\/p>\n

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The Catalogue Raisonn\u00e9<\/p>\n

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C\u00e9line Berchiche: Conservation Manager<\/span><\/p>\n

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For any information, contact us: comite@kijno.com<\/a><\/p>\n

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Authentication<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.26.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”mailto:comite@kijno.com” button_text=”Certificate” button_alignment=”center” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”25px” button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_width=”1px” button_border_color=”#000000″ button_border_radius=”20px” button_icon=”||fa||900″ global_colors_info=”{}”][\/et_pb_button][et_pb_text _builder_version=”4.26.1″ _module_preset=”default” text_text_color=”#000000″ global_colors_info=”{}”]<\/p>\n

REQUEST FOR CERTIFICATE OF AUTHENTICITY<\/strong><\/p>\n

The Ladislas Kijno committee is at your disposal to examine any authentication request<\/p>\n

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The Bina Endowment Fund<\/h3>\n

The Bina endowment fund, chaired by the universal legatee of the Artist Ladislas Kijno, aims to promote and enhance the \u201cwork of Ladislas Kijno. This can involve loans to institutions, the\u201d organization of \u201cexhibitions, events and support for creation\u201d <\/p>\n

Email: comite@kijno.com<\/a>
Manager: Damien Dupraz<\/p>\n

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The Artist<\/p>\n

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LADISLAS KIJNO 1921-2012\u201cThe world is elastic, spheroidal and constantly expanding: there are several worlds, matter is multiple as if stratified. We start from a machine and arrive at the rhythms of a fig tree or the seabed; conversely, we start from the croup of a horse, the curve of a cello, a breast or a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6602","page","type-page","status-publish","hentry"],"yoast_head":"\nLADISLAS KIJNO - Ladislas Kijno<\/title>\n<meta name=\"description\" content=\"Ladislas Kijno, a major figure in 20th century informal painting, became a world-renowned artist in the 1960s. 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